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Debra Murphy on the fiction of Ian McEwan

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Debra Murphy, CatholicFiction.net editor, has written an article on the fiction of English novelist Ian McEwan. First published last winter in Second Spring Journal, Debra’s article, “A Christian looks at the fiction of Ian McEwan”, is now available online at CatholicExchange. Here’s how the article begins: Two things need to be gotten out of the [...]

Ross Douthat on Dan Brown

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Ross Douthat, NYT columnist

After wasting an hour or two too many several years ago on the much-ado-about-patent-nonsense controversy surrounding Dan Brown’s laughable blockbuster, The DaVinci Code, I have of late been sedulously avoiding all references  to “Dan Brown”, “Angels and Demons”, “Ron Howard”, or “Tom Hanks”. But when I stumbled across Ross Douthat’s spade-calling op ed piece in [...]

The Atlantic Monthly on “Flannery”

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gooch_flannery

Joseph O’Neill, whose novel Netherland is this year’s recipient of the prestigious PEN/Faulkner Award, has written a piece on Flannery O’Connor for the recent issue of The Atlantic Monthly (using Brad Gooch’s biography, Flannery: A Life, as the occasion). O’Neill describes O’Connor’s writing as “unfairly” and “wickedly” good: The narrating third person hovers in an [...]

The Awakening by Kate Chopin

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reviewed by John Murphy Pagan Goddess…or Vague and Godless? I first encountered Kate Chopin’s New Orleans-set novella, The Awakening, in a course on twentieth-century literature. I recall a sense of gratitude to the author for her book’s merciful brevity. The Awakening was on the curriculum because of the proto-feminist implications of the storyline. Quick summary [...]

The Professor, by Charlotte Bronte

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BBC Audiobooks, 2005, unabridged, read by James Wilby  reviewed by Rachel Murphy Having been a devoted fan of Jane and Rochester since my mid-teens, I decided to give Bronte’s The Professor a try, on audiobook—though perhaps I was motivated even more by its narrator, the film actor James Wilby (Behind the Lines, A Tale of [...]

Everyman, by Philip Roth

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 reviewed by Kevin Murphy  The Menace of Oblivion Everyman begins “around the grave.”  And it stays there for the course of its brief length, stewing in angst and mortal fear. Clearly, it is the work of a man coming to grips with his own mortality – a terrified man at the edge of the abyss.  [...]

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