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The Necromancers, by Robert Hugh Benson

Reviewed by Christine J. Murray

The Necromancers

Few people, even among Catholics, have heard of Robert Hugh Benson. That was not the case 100 years ago. As an author and novelist, the Catholic priest from Britain was incredibly popular. The reading public and the Catholic Church suffered greatly when he died in 1914. Benson was skilled in attacking evil practices without appearing to preach about them. He also had the knack for crossing genres. He is more well-known for his historical novel Come Rack! Come Rope! about Catholics persecuted and martyred in Elizabethan England.

The Necromancers, first published in 1909, is set in contemporary Britain, and the main character is the young barrister Laurie Baxter. Baxter falls in love with a local girl, Amy, who dies of natural causes before they wed. One could say he was obsessed with Amy Nugent. In his distress after her death, he can’t bear her absence. He needs to contact her, to touch her again, if at all possible.

Baxter had recently converted intellectually to the Catholic Faith, but not with his heart. Amy’s death provides a test that he appears to fail. He connects with a spiritualist circle hoping that the medium will help him bring back his love. He will do anything to get back to Amy, except wait for eternity. As goes the ironic inscription on Amy’s tombstone, “I shall see her but not now.”

One conversation early in Baxter’s immersion into spiritualism – necromancy – gives clues to its potential for disaster and provides lessons for readers in the 21st century. He has a dream in which he encounters an overwhelmingly evil presence. He is able to awaken only when he starts praying to God. Shaken, he rushes to the house of Mr. Vincent, the medium. Vincent tells him the following

When comparing the objective self – the one who functions in daily tasks in the world with the subjective self – that which deals with the supernatural or preternatural, the subjective self is deemed the “real” self. This is a dualism that material things are bad and the subjective or spiritual self is the only real self. St. Augustine was in a movement that was dualistic in nature before converting and spending his time fighting that error. In truth, the person is both body and soul. But the lie persists to this day, largely in the New Age Movement.

Evil is relative. Baxter balks at the overwhelming darkness and nothingness. Evil is nothing more – or less – than the absence of God. Yet when Laurie asks whether the power he encountered in the dream was evil, Vincent says, “Not necessarily.” If there is no objective reality, there is no such thing as good or evil. It’s just an opinion.

There’s no need of prayer. Instead, Vincent counsels, “Just exercise your own individuality; assert yourself; don’t lean on another … What is called Prayer is really an imaginative concession to weakness.” This claim is as old as Adam and Eve. They fell for it and were banished from Eden. Laurie falls for it and …

Baxter’s mother is a shallow woman, but there is hope for her adopted daughter, Margaret Deronnais, who lives with her after being educated in the convent. The young woman becomes worried about Baxter as she learns of the hold that necromancy is gaining over him. They were raised practically as siblings, but somewhere, there is a deeper feeling for each other. Margaret decides to fight the necromancers. Her only weapons are her strong will, fondness for him and prayer.

Baxter will not be deterred, bolstered by Vincent, who is willing to carry out any experiment regardless of the cost to one’s soul or sanity. During a séance one night, a vision appears, apparently Amy come back from the dead. Baxter bolts from his chair and attempts to seize it in his arms. Afterward, Baxter is changed. It’s obvious to those who care to notice that he is obsessed by an evil spirit attempting to completely possess him. Margaret does notice, and so ensues the climatic battle for Baxter’s soul.

The Necromancers serves as a cautionary tale not only about spiritualism, but also about many of the practices that plague people in a post-Christian society, such as relativism and New Age practices. These have one thing in common: they center on self and what it wants. They all lead away from God and closer to evil, the void that is not God.

Christine J. Murray writes from Sterling Heights, Michigan

Come Rack! Come Rope! by Robert Hugh Benson

Come Rack! Come Rope!

Reviewed by Christine J. Murray

Robert Hugh Benson’s historical novel about the persecution of Catholics under the rule of Elizabeth I is one of his more popular even to this day. He wrote Come Rack! Come Rope! after being invited to preach at a retreat held at Padley in 1911—the site of a hidden chapel used during the persecutions. He read an account of the Fitzherbert family while at Padley that Dom Bede Camm had recently written.

The story’s drama was ripe for a novel about the period, especially for a recent convert who was so familiar with what the Catholics had endured under Elizabeth. The book was published a year later.

While the real Fitzherbert family members have secondary roles in the story, the primary characters, young lovers Robin Audrey and Manners, are said to be fictitious. Audrey loves his dear Marjorie, but she senses a secre—that Our Lord is calling her lover to the priesthood. She also knows it is highly likely Audrey will someday die for the “Old Faith.”

The young woman could have easily persuaded Robin not to take the more difficult road. Instead, she sacrifices her lover for God and for Mother Church. She realizes it is better to live and die as an outlaw for the Faith than to reject the call of Christ. This is reminiscent of St. Margaret of Scotland, who is said to have preferred to have her sons die than to commit a single mortal sin.

Audrey becomes a priest and returns to an England that is not so merry for the Catholics being persecuted, tortured and martyred for their faith. Some of the most moving passages detail the inner emotional turmoil of a man experiencing physical torture. How a man of strong faith handles this physical torture provides an interesting juxtaposition to a man who experiences torture, not from without, but strictly from within, as in the case of young Audrey’s father, who turns to the Church of England at the beginning of the novel.

When one decides to take the easier way, one often comes into conflict with those who choose the more difficult road. Because of his choice, the elder Audrey finds himself facing an even more dreaded decision later—one that, however much it might hurt his son, would hurt him more. This image provides evidence of the truth that sin not only betrays the Head of the Mystical Body of Christ, but affects the members as well. The accompanying guilt and (one could say) interior torture can be more excruciating than the physical kind.

The secondary characters range from Mary, Queen of Scots to St. Edmund Campion and the whole Fitzherbert family. Although Benson says Robin Audrey is fictitious, there was a priest in real life who ministered to Queen Mary incognito while she was imprisoned in the Tower of London before her decapitation.

While the Fitzherbert family generally remains strong during the persecutions, one member does “switch sides” and helps betray the rest of the family. Like Judas’ betrayal of Jesus, we should not be surprised when the people around us, the people we love, betray us. One Fitzherbert, Thomas, deserts his Church and his family because he finds it more expedient, more comfortable, and because he wants to get the homestead Padley, only to lose it again.

In the end, only One will stay by us, whether we sense it or not.

Let Thomas Fitzherbert be a lesson to us to pray for strength of faith and perseverance always, especially in difficult times. In the end, those who withstand persecution and suffer martyrdom get everything – the pearl of great price.

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